An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library. As the prominence of the recent #WakingTheFeminists movement illustrates, the Irish theatre world is highly conscious of the ways in which theatre can foster social emancipation. This volume of essays uncovers a wide range of marginalised histories by reflecting on the emancipatory role that the Dublin Gate Theatre (est. 1928) has played in Irish culture and society, both historically and in more recent times. The Gate's founders, Hilton Edwards and Micheal mac Liammoir, promoted the work of many female playwrights and created an explicitly cosmopolitan stage on which repressive ideas about gender, sexuality, class and language were questioned. During Selina Cartmell's current tenure as director, cultural diversity and social emancipation have also featured prominently on the Gate's agenda, with various productions exploring issues of ethnicity in contemporary Ireland. The Gate thus offers a unique model for studying the ways in which cosmopolitan theatres, as cultural institutions, give expression to and engage with the complexities of identity and diversity in changing, globalised societies. CONTRIBUTORS: David Clare, Marguerite Corporaal, Mark Fitzgerald, Barry Houlihan, Radvan Markus, Deirdre McFeely, Justine Nakase, Siobhan O'Gorman, Mary Trotter, Grace Vroomen, Ian R. Walsh, Feargal Whelan

An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library. As the prominence of the recent #WakingTheFeminists movement illustrates, the Irish theatre world is highly conscious of the ways in which theatre can foster social emancipation. This volume of essays uncovers a wide range of marginalised histories by reflecting on the emancipatory role that the Dublin Gate Theatre (est. 1928) has played in Irish culture and society, both historically and in more recent times. The Gate's founders, Hilton Edwards and Micheal mac Liammoir, promoted the work of many female playwrights and created an explicitly cosmopolitan stage on which repressive ideas about gender, sexuality, class and language were questioned. During Selina Cartmell's current tenure as director, cultural diversity and social emancipation have also featured prominently on the Gate's agenda, with various productions exploring issues of ethnicity in contemporary Ireland. The Gate thus offers a unique model for studying the ways in which cosmopolitan theatres, as cultural institutions, give expression to and engage with the complexities of identity and diversity in changing, globalised societies. CONTRIBUTORS: David Clare, Marguerite Corporaal, Mark Fitzgerald, Barry Houlihan, Radvan Markus, Deirdre McFeely, Justine Nakase, Siobhan O'Gorman, Mary Trotter, Grace Vroomen, Ian R. Walsh, Feargal Whelan

Irish Global Migration and Memory: Transnational Perspectives of Ireland's Famine Exodus brings together leading scholars in the field who examine the experiences and recollections of Irish emigrants who fled from their famine-stricken homeland in the mid-nineteenth century. The book breaks new ground in its comparative, transnational approach and singular focus on the dynamics of cultural remembrance of one migrant group, the Famine Irish and their descendants, in multiple Atlantic and Pacific settings. Its authors comparatively examine the collective experiences of the Famine Irish in terms of their community and institution building; cultural, ethnic, and racial encounters with members of other groups; and especially their patterns of mass-migration, integration, and remembrance of their traumatic upheaval by their descendants and host societies. The disruptive impact of their mass-arrival had reverberations around the Atlantic world. As an early refugee movement, migrant community, and ethnic minority, Irish Famine emigrants experienced and were recollected to have faced many of the challenges that confronted later immigrant groups in their destinations of settlement. This book is especially topical and will be of interest not only to Irish, migration, and refugee scholars, but also the general public and all who seek to gain insight into one of Europe's foundational moments of forced migration that prefigures its current refugee crisis. This book was originally published as a special issue of Atlantic Studies: Global Currents.

Exploring the effects of traveling, migration, and other forms of cultural contact, particularly within Europe, this edited collection explores the act of traveling and the representation of traveling by Irish men and women from diverse walks of life in the period between Grattan's Parliament (1782) and World War I (1914). This was a period marked by an increasing physical and cultural mobility of Irish throughout Britain, Continental Europe, the Americas, and the Pacific. Travel was undertaken for a variety of reasons: during the Romantic period, the 'Grand Tour' and what is now sometimes referred to as medical tourism brought Irish artists and intellectuals to Europe, where cultural exchanges with other writers, artists, and thinkers inspired them to introduce novel ideas and cultural forms to their Irish audiences. Showing this impact of the nineteenth-century Irish across national borders and their engagement with global cultural and linguistic traditions, the volume will provide novel insights into the transcultural spheres of the arts, literature, politics, and translation in which they were active.

Irish Global Migration and Memory: Transnational Perspectives of Ireland's Famine Exodus brings together leading scholars in the field who examine the experiences and recollections of Irish emigrants who fled from their famine-stricken homeland in the mid-nineteenth century. The book breaks new ground in its comparative, transnational approach and singular focus on the dynamics of cultural remembrance of one migrant group, the Famine Irish and their descendants, in multiple Atlantic and Pacific settings. Its authors comparatively examine the collective experiences of the Famine Irish in terms of their community and institution building; cultural, ethnic, and racial encounters with members of other groups; and especially their patterns of mass-migration, integration, and remembrance of their traumatic upheaval by their descendants and host societies. The disruptive impact of their mass-arrival had reverberations around the Atlantic world. As an early refugee movement, migrant community, and ethnic minority, Irish Famine emigrants experienced and were recollected to have faced many of the challenges that confronted later immigrant groups in their destinations of settlement. This book is especially topical and will be of interest not only to Irish, migration, and refugee scholars, but also the general public and all who seek to gain insight into one of Europe's foundational moments of forced migration that prefigures its current refugee crisis. This book was originally published as a special issue of Atlantic Studies: Global Currents.

The Great Irish Famine of the 1840s left a profound impact on Irish culture, as recent ground-breaking historical and literary research has revealed. Less well documented and explored, however, is the relationship of the Famine and related experiences (hunger, migration, eviction, poverty, institutions and social memory) to visual and material cultures. This book aims to explore how the material and visual cultures of Ireland and its diaspora (including painting, engraving, photography, devotional objects, ritual, drama, film, television, and graphic novels) intersect with the multiple impacts and experiences of the Famine. In tracing the Famine's impact in Ireland, Northern Ireland, and across the diaspora over almost two centuries, it adopts transgenerational as well as transnational approaches to the subject of cultural memory. Interest in the Famine has increased rather than declined since its sesquicentenary, acquiring new relevance in the wake of Ireland's recent economic collapse and the international contemporary refugee crisis, with which frequent parallels have been drawn. This book arrives in the midst of the Decade of Centenaries, the sequence of key commemorations in Ireland and Northern Ireland that has attracted widespread international public attention. As such, its essays resonate with current developments in Irish cultural history, commemoration and memory, and advances new approaches to studies of memory and materiality.

Exploring the effects of traveling, migration, and other forms of cultural contact, particularly within Europe, this edited collection explores the act of traveling and the representation of traveling by Irish men and women from diverse walks of life in the period between Grattan's Parliament (1782) and World War I (1914). This was a period marked by an increasing physical and cultural mobility of Irish throughout Britain, Continental Europe, the Americas, and the Pacific. Travel was undertaken for a variety of reasons: during the Romantic period, the 'Grand Tour' and what is now sometimes referred to as medical tourism brought Irish artists and intellectuals to Europe, where cultural exchanges with other writers, artists, and thinkers inspired them to introduce novel ideas and cultural forms to their Irish audiences. Showing this impact of the nineteenth-century Irish across national borders and their engagement with global cultural and linguistic traditions, the volume will provide novel insights into the transcultural spheres of the arts, literature, politics, and translation in which they were active.

The Great Famine radically transformed Ireland; nearly one million people of the rural countryside died, and the eviction of farmers led to massive emigration. The Famine encouraged anti-English, nationalist sentiments, and this trauma is seen as pivotal in the development of an Irish anticolonial consciousness and in the identity formation of transatlantic Irish communities. In Relocated Memories, Corporaal challenges the persistent assumption that the first decades after the Great Irish Famine were marked by a pervasive silence on the catastrophe. Discussing works by well-known authors such as William Carleton and Anthony Trollope as well as more obscure texts by, among others, Dillon O'Brien and Susanna Meredith, Corporaal charts the reconfigurations of memory in fiction across generations and national borders.

The Great Famine radically transformed Ireland; nearly one million people of the rural countryside died, and the eviction of farmers led to massive emigration. The Famine encouraged anti-English, nationalist sentiments, and this trauma is seen as pivotal in the development of an Irish anticolonial consciousness and in the identity formation of transatlantic Irish communities. In Relocated Memories, Corporaal challenges the persistent assumption that the first decades after the Great Irish Famine were marked by a pervasive silence on the catastrophe. Discussing works by well-known authors such as William Carleton and Anthony Trollope as well as more obscure texts by, among others, Dillon O'Brien and Susanna Meredith, Corporaal charts the reconfigurations of memory in fiction across generations and national borders.

The sesquicentenary of the Great Irish Famine saw the emergence of seminal, often revisionist, scholarship addressing the impact of the catastrophe on Ireland's economy (including its relations with Britain) and investigating topics such as the suffering of the rural classes, landlord and tenant relations, Poor Laws and relief operations. The Great Irish Famine and Social Class represents a significant new stage in Irish Famine scholarship, adopting a broader interdisciplinary approach that includes ground-breaking demographical, economic, cultural and literary research on poverty, poor relief and class relations during one of Europe's most devastating food crises. The volume incorporates a comparative European framework, as well as exploring the issue of class in relation to the British and North American Famine diaspora.